Articles by Julio M. Shiling

HR 1: The Death of Fair and Free Elections in America.

The Democratic Party is one step closer to achieving their goal of assembling a one-party political system to accommodate a postmodern authoritarian regime.

This is not an exaggeration. With the passage last week in the House of Representatives of H. R. 1 or the laughably dubbed “For the People Act of 2021” along expected party lines of 220-210, with Mississippi Representative Bennie Thompson being the sole Democratic defection, House Speaker Nancy Pelosi was able to give the left the victory they had long been waiting for.

Only the Senate stands in the way of whether the United States will continue its typical historic pattern of harboring fair and free elections, or if the 2020 election methodological sham will be standardized and legally sanctioned, disregarding the Constitution, the rule of law, elemental precepts of electoral integrity, free speech, and basic tenets of popular sovereignty legitimacy. 

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The Left’s War Against God, Science, and Reason.

By a margin of 224 votes in favor and 206 in opposition, delineated along party lines, America’s lower legislative chamber approved H. R. 5, otherwise known as the inaccurately labeled “Equality Act of 2021”, on Thursday February 25^th. The rhetorical semblance of this proposed law is to extend “civil rights” protection status to groups claiming legal legitimacy for conventional, self-perceived gender identification and a comprehensive decomposing of and the subsequent reinvention of the meaning of biological sex.

The truth is that the substance that underlies the peripheral façade of this new front to deconstruct America has nothing to do with civil rights protection for the transgender population and all to do with advancing Neo-Marxism’s (or cultural Marxism) Critical Theory exposes of Gender Ideology and Critical Queer Theory. 

The methodology for consecrating this attempted feat is by way of amending the Civil Rights Act of 1964 (CRA). By abolishing anthropological, scientific, historical, religious, biological, and natural understandings and classifications of “sex” and fundamentally substituting it with an ideologically contrived, spurious fabrication that is culturally and psychoanalytically posited from the readaptation of Marxism, courtesy of the Frankfurt School and the postmodernist philosophers, one of socialism’s most effective 21^st century weapons in its intent on destroying the family, religion, free speech, and equality under the law, has made a beachhead assault on American democracy with H. R. 5. 

 

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Cuban Filmmaker Lilo Vilaplana Talks Discusses Tragedy of Communism.

Art and politics are interlinked. In fact, they often influence each other. The key variable in separating political art from ideological propaganda is the element of freedom in the case of a free society or the adverse risk of free expression in despotic regimes. Lilo Vilaplana, an award-winning Cuban-born television director and screenwriter, has had a successful career living in exile.

In Colombia, Vilaplana directed, among many other meritorious works, the television series El Capo, which earned him, in 2010, the Indias Catalina Award for best director. However, it has been in Miami, the capital of the Cuban nation in exile, where, by his own admission, he has done his best work.

First, directing the Legends of Exile, an epic series that brought to the television screen the lives of many prominent Cuban freedom fighters and historical figures of the war of liberation waged by Cuban exiles against the Castro-Communist dictatorship throughout more than six decades of Marxist tyranny, Vilaplana set a standard of excellence and rendered a great service to the purposes of historic preservation. This original project of Miami-based WJAN-CD America Tevé (Channel 41) has been widely applauded for its unique and factual characterization of heroic episodes in Cuba‘s struggle for freedom. 

 

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Former Cuban Officials Challenge Castro Regime: Is the Threat Real?

February 24th marks the 126th anniversary of the Grito de Baire (Baire Uprising), an iconic Cuban national holiday which marks a signature rebellion in Cuba’s last and final war for independence, Radio, and Television Martí reported having had access to a “manifesto” most critical of the Castro-Communist regime and signed by former high-ranking military and state security officials. These institutions are crucial to communist control. Totalitarian models of governance cannot endure without their capacity to repress and under condition of subservience.

The Office of Cuba Broadcasting, which oversees Radio and Television Martí, is a publicly funded U. S. federal government agency operated through the United States Agency for Global Media, which broadcasts news in Spanish to Cuba. It adheres to high standards of journalistic integrity. Given the verification rigors faced before publishing news of this kind, it is forcibly held to strict precision. This point should dismantle serious notions of concerns for faux authentication. 

 

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